This intricately plotted novel presents various points of view. By manipulating the reader's sympathies, the author demonstrates how quickly and automatically we judge and blame others, then reveals how misguided those judgments can be. Why are the narrative perspectives so different and who is reliable? Is it human or forgivable to take out one's own grief on an unwitting child? Do the bereaved spouses unconsciously whitewash the character of their son?
The book raises troubling thematic questions as well. In an effort to protect our families from emotional trauma, is is appropriate to keep secrets from loved ones? What does it mean to trust someone? What past errors are forgiveable, and how can we choose who to believe? Are we responsible for our own suffering? A gripping read, this story offers no easy answers to these vexing questions.
Monday, January 13, 2020
Friday, January 10, 2020
Finished at last!
Behind the missing pieces, I sense the malign hand of Jarvis. There's also one piece that fits neither gap! But now that the puzzle is done, we can take the Christmas tree down.


Monday, January 6, 2020
Jigsaw fashion on the French Riviera
Friday, January 3, 2020
The Reading Edge: Books Read in 2019
In 2019, I read 124 books, beating my 2018 total of 109. In 2017, I read 126.
January
James Clear Atomic Habits
February
Alexander McCall Smith The Colors of All the Cattle
March
Tana French The Trespasser (CD)
April
Michael Kluckner Julia (graphic novel about Julia Henshaw)
June
Diana Athill Instead of a Letter
July
Ariana Dagnino The Afrikaner
August
Qiu Xiaolong Shanghai Redemption
September
Peter Carey Illywhacker (finished at home in October)
October
Elly Griffiths The Dark Angel
November
Adrian McKinty Rain Dogs (CD)
December
Derek B. Miller American by Day
January
James Clear Atomic Habits
Lilia Momple Neighbours, the Story of a
Murder
Anna Burns Milkman (CD)
Jordan B. Peterson Twelve Rules for Life (CD)
PM Forni Choosing Civility (skimmed and made
notes)
Mark Cote That Lucky Old Son
Alexander McCall Smith The House of Unexpected Sisters
Kagise Lesogo Molope This Book Betrays my Brother (re-read in
order to teach at SFU)
February
Alexander McCall Smith The Colors of All the Cattle
Derek B. Miller The Girl in Green
Diana Athill Alive, Alive Oh! and
other Important Matters
Tana French The Likeness (CD)
Diana Athill Midsummer Night at the
Workhouse and other Stories
Iain Reid Foe
March
Tana French The Trespasser (CD)
Diana Athill Somewhere towards the end
Lisa See Dragon Bones
Donna Leon Through a Glass Darkly (relistened for SFU
course)
Sue Grafton X (relistened, for SFU course)
Jack Knox On the Rocks with Jack Knox
Charles Cumming The Moroccan Girl
Alan Bradley The Golden Tresses of the
Dead (CD)
Ian Rankin Watchman (quit partway through)
Diana Athill Instead of a Book
Diana Athill Stet
Tana French The Secret Place
Gloria Steinem My Life on the Road (Audio)
Ross Macdonald The Ivory Grin (a Lew Archer
novel) (Audio)
Henning Mankell Chronicler of the Winds (skimmed
last of this tragic allegory)
Sarah Waters The Night Watch (Audio)
April
Michael Kluckner Julia (graphic novel about Julia Henshaw)
Lisa See The Island of Sea Women (CD)
Sally Rooney Normal People (audio)
Sheila Kohler Once we were Sisters
Alexander McCall Smith The Good Pilot Peter Woodhouse
Abir Mukherjee A Necessary Evil
Jhumpa Lahiri The Namesake (audio)
Val McDermid Forensics
Jhumpa Lahiri Unaccustomed Earth (audio)
Abir Mukherjee A Rising Man
May
Ann Patchett State of Wonder (CD)
May
Ann Patchett State of Wonder (CD)
Anne-Marie Drosso Hookah
Nights
Anne-Marie Drosso Cairo
Stories
Jhumpa Lahiri The
Lowland
Nathaniel Brandon The
Six Pillars of Self-esteem
Alain de Botton The
Course of Love
Ovidia Yu The
Frangipani Tree Mystery
Victoria Zackheim ed. Faith:
essays from believers, agnostics and atheists
Peter Robinson Careless
Love
Daniel Kahneman Thinking
Fast, Thinking Slow (audio)
Abir Mukherjee Smoke and Ashes (audio)
June
Diana Athill Instead of a Letter
Elif Shafak Black
Milk
Maureen Medved Black
Star
Gail Honeyman Elinor
Oliphant is Completely Fine (skipped over last bit)
Alain de Botton A
Week at the Airport
Alain de Botton Status
Anxiety
CS Lewis The
Silver Chair CD
Graeme Simsion The
Rosie Result
Val McDermid Insidious
Intent
Val McDermid Trick
of the Dark
Josephine Tey The
Daughter of Time
Rupert Sheldrake Science
and Spiritual Practices
Peter May The
Blackhouse
Fred Vargas Wash
this Blood Clean from my Hand
Colin Cotterill Six and a Half Deadly Sins
(CD)
July
Ariana Dagnino The Afrikaner
Jennifer Robson The
Gown (CD)
Edna O’Brien The
Little Red Chairs (Audio)
Manuel Matas MD The
Borders of Normal
Rachel McMillan The
White Feather Murders (didn't finish)
Mike Simmons Episodes
from Iceworld
Terry Fong Princeton:
a Love Story
Edna O’Brien The
Love Object (CD) [heard first 8 CDs only]
Iona Whishaw Death
in a Darkening Mist
Edward Gibbon The
Rise & Fall of the Roman Empire I (Audio)
Gianrico Carofilio The
Past is a Foreign Country
Gianrico Carofilio Involuntary
Witness
Ian Hamilton The
Disciple of Las Vegas
Derek B. Miller Norwegian
by Night
Josephine Tey Sands
of Time
Kate Atkinson Big
Sky
Ann Shortell Celtic Knot
Ann Shortell Celtic Knot
August
Qiu Xiaolong Shanghai Redemption
Jess Kidd Himself
Peter Carey True
History of The Kelly Gang
September
Peter Carey Illywhacker (finished at home in October)
Chris Cleave Incendiary
Jane Harper The
Dry
Jane Harper Force
of Nature (CD)
Dervla McTiernan The
Ruin
Adrian McKinty The
Chain
Adrian McKinty The
Cold, Cold Ground
Ovidia Yu The
Betel Nut Tree Mystery
Iona Whishaw A
Killer in King’s Cove
October
Elly Griffiths The Dark Angel
Iona Whishaw It
Begins in Betrayal
Iona Whishaw An
Old Cold Grave
Iona Whishaw It
Begins in Betrayal
Iona Whishaw A
Deceptive Devotion
Shelley Wood Quintland
Sisters (Audio file)
Peter May The
Chessmen (CD)
Adrian McKinty Police
at the Station and They don’t Look Friendly (CD)
Richard van Camp Moccasin
Square Garden
Maude Barlow Whose
Water is it Anyway?
JoJo Moyes Still
Me (CD)
Adrian McKinty Police
at the Station and they Don’t Look Friendly (CD)
Adrian McKinty I
Hear Sirens in the Street (2 of Troubles Trilogy)
Adrian McKinty In
the Morning I’ll be Gone
Adrian McKinty Gun
Street Girl
November
Adrian McKinty Rain Dogs (CD)
Jakob Arjouni Brother
Kemal
Jane Harper The
Lost Man
Kate Atkinson Transcription
Adrian McKinty Hidden
River
Nicola Upson An
Expert in Murder (first one featuring Josephine Tey)
Jacqueline Carmichael Tweets
from the Trenches
Dervla McTiernan The
Scholar (CD)
Ben Macintyre Operation
Mincemeat (CD)
Jennifer Egan Manhattan
Beach
December
Derek B. Miller American by Day
Renee Knight Disclaimer
Mark Manson Everything
is Fucked: a Book about Hope
Kevin Barry Night Boat to Tangier
Naomi Wood Mrs. Hemingway (didn't finish)
Kevin Barry Night Boat to Tangier
Naomi Wood Mrs. Hemingway (didn't finish)
Wednesday, January 1, 2020
How the mind plays tricks - missing jigsaw pieces again
Christmas is jigsaw time. The mind with its beliefs and expectations is powerful, and I appear to be carrying some subconscious mental baggage about completing jigsaws. It's not a conscious view, but since a few recent experiences with missing pieces, I seem to have internalized the belief that there will always be a missing piece. For the puzzle on the left, we found that piece under the coffee table. The other one has not turned up yet, and it leaves a glaring gap in the wall of the Chateau Frontenac. This is an affront to one of Canada's most venerable and impressive hotels.
Saturday, December 21, 2019
Mark Manson imagines how to restore old-fashioned virtues
Humans need hope. Manson appeals to readers to develop "a sustainable, benevolent hope" that unites rather than dividing us, that is "robust and powerful, yet still grounded in reason and reality." Only this can
carry us through life "with a sense of gratitude and satisfaction."
In this remarkable work, Manson shows how current social values and expectations weaken us. He speaks of values that are now unfashionable: emotional maturity, character, and virtue. He also encourages us to face up to where we are and how we've got here.
Individual choices, choosing challenging commitments and taking responsibility for them -- these are the actions of mature adults, and the only path to "spiritual happiness." They also make us "anti-fragile," able to stand up to life.
Daily decisions have long-term consequences, and choice is a serious business. This important activity should not be confused with selecting among the overabundance and variety of consumer goods available today. In reality, these are distractions. The plethora of meaningless purchasing options steals our attention from the truly important things.
In this remarkable work, Manson shows how current social values and expectations weaken us. He speaks of values that are now unfashionable: emotional maturity, character, and virtue. He also encourages us to face up to where we are and how we've got here.
Individual choices, choosing challenging commitments and taking responsibility for them -- these are the actions of mature adults, and the only path to "spiritual happiness." They also make us "anti-fragile," able to stand up to life.
Daily decisions have long-term consequences, and choice is a serious business. This important activity should not be confused with selecting among the overabundance and variety of consumer goods available today. In reality, these are distractions. The plethora of meaningless purchasing options steals our attention from the truly important things.
Human conflict is always with us, both within and without. The author notes that in the paradox of progress, "an irrational sense of
hopelessness is spreading across the rich, developed world...The better things get, the more anxious and desperate we all seem to
feel." Yet we all have the power of choice. How we cope with this as individuals will have great influence on the future pf spcoetu.
I was surprised by the concluding section of the book, which lays out Manson's thoughts on how to pass through human crisis into a "post-hope" world. There is much to recognize here, and whether a reader resonates with the final section or not, this is definitely a worthy read.
I was surprised by the concluding section of the book, which lays out Manson's thoughts on how to pass through human crisis into a "post-hope" world. There is much to recognize here, and whether a reader resonates with the final section or not, this is definitely a worthy read.
Tuesday, December 10, 2019
American by Day and the paradox of individualism
This novel portrays Sigrid, a female Norwegian police officer who featured in Norwegian by Night. Learning her brother is missing in America, she goes looking and meets Irv, an American sheriff who studied divinity rather than criminology. Wary at first, the two cops develop enough mutual trust to tackle the problem they share, though it has different implications for each of them. Sigrid fears for the safety of her brother Marcus, who has run like a guilty fugitive from the scene where his lover dropped to her death from a high building. In Irv's world, the professor's death raises the American spectre of race relations.
At a tense confrontation in from of a biker bar by a Target parking lot, Sigrid recalls how Norwegian gangs "adopted American tropes about freedom, individuality, and rebellion and demanded complete conformity to them."
According to academic race relations expert Lydia Jones, the paradox of American cultural individualism is "both the problem and the solution." She explains that "'What we're up against now is a conservative movement anchored in a way of seeing Americanness that says that any attention to group problems, or trying to actively support diversity through representation is actually divisive and discriminatory itself...They see the entire world through this individualism prism," which "negates discussions of race and racism...One can't escape the observation that America historically enslaves groups, but only frees individuals.'"
Marcus, also a teacher, makes similar observations about the students who are plugged in to their phones, thinking "the more they strive to express their uniqueness in those machines, the more conformist they become."
Miller's language is smart and funny, which makes it easy to absorb unpalatable truths. We laugh when Irv explains that "nobody has ever overestimated the intellect of a man in cowboy boots," which is why he wears them. We like him better for having left his job using his "knowledge of Latin, Greek and Hebrew to help name pharmaceutical products," when he realized that "most of the products aren't meant to cure you but make you dependent on the treatment." That felt wrong.
Sigrid's perspective on American policing is fact-based and clear. Citing a recent article, she tells Irv, "While we don't know how many citizens are killed by the police, we do know how many cops have been killed by criminals...the overall number of murdered officers has been dropping in a nice flattening curve since the 1970s." The perceived "war on the police" is illusory; there's been nothing close to that since Prohibition in the 1920s.
This book features variable and shifting perspectives, shown mostly using Sigrid's point of view. "Why," she wonders idly as she flips through the TV channels in a motel room, "is overacting preferred in situation comedies but not in dramas?" In a more serious moment, she decides that "The heart is one of the few places where facts and truth may be separable." Shopping in Target provides a salutary reminder of privilege: the low prices make her feel "a momentary pang of guilt for the abducted and enslaved children who surely weaved the clothing with their tiny little fingers." She finds it "unsettling how quickly that feeling fades as she "holds up a pair of ...jeans being sold...for twelve dollars, the price of coffee and a muffin in Oslo." And as Sigrid tells Irv, there are no glass barriers between the front and rear seats of Norwegian cruisers; it's unheard-of for Norwegian criminals to shoot police.
She also feels that American horror movies reflect the culture: the invariably end "with someone being self-reliant and overcoming her own fear or else failing to do that and dying." Unable to think of a single movie "where the horror was overcome through strategy, cooperation, teamwork, or planning," she reflects to Irv that "the terrible machine you've created," explains "why Americans buy guns rather than build institutions," which does not make anyone safer.
The differing perspectives of the sexes comes up for some gentle ribbing too. The SWAT team scenes feature hilariously clownish portrayals of trigger-happy macho males, whose hasty and ill-considered actions incite in Sigrid a flash of anger against men, for "their stupidity, their lies, their egotism, their irrelevant words, their aggressive personalities and their hairy backs...the ease by which they open jars and their inexplicable incapacity to return even the smallest object" to its rightful location. However, knowing that she cares deeply about her brother and respects her male colleague, the reader can smile at her snit as she slogs through the forest ruining her good Italian shoes.
Strangely, just after reading this novel, I learned another piece of the American cultural puzzle from a recently published essay. For American citizens, no matter where they live, work and earn, that there is no escape from filing taxes in the US, and failure to comply can carry heavy financial penalties. Paradoxically, I was gobsmacked to learn that it costs $2350 to relinquish one's US citizenship - a costly sanction against no longer wanting to be American.
In a recent essay, Mark Manson takes the concept of paradox beyond culture into the realm of human biology. We need to maintain homeostasis, a salubrious balance between opposites. This concept, he says, also has applications in psychology, for instance, as we are obliged to seek company, then retreat into ourselves, or cycle between seeking novelty and maintaining a reassuring routine.
Humans are contradictory and paradoxical, and our behaviour is often unaccountable. Reading fiction is a good way to face the irrationality of our views and actions. The work of Derek B. Miller is enlightening and thought-provoking as well as entertaining. While he admits that as a novelist, he takes "some liberties with reality," he deserves kudos for showing us realities we all face, thus expanding our perspective on the human condition.
At a tense confrontation in from of a biker bar by a Target parking lot, Sigrid recalls how Norwegian gangs "adopted American tropes about freedom, individuality, and rebellion and demanded complete conformity to them."
According to academic race relations expert Lydia Jones, the paradox of American cultural individualism is "both the problem and the solution." She explains that "'What we're up against now is a conservative movement anchored in a way of seeing Americanness that says that any attention to group problems, or trying to actively support diversity through representation is actually divisive and discriminatory itself...They see the entire world through this individualism prism," which "negates discussions of race and racism...One can't escape the observation that America historically enslaves groups, but only frees individuals.'"
Marcus, also a teacher, makes similar observations about the students who are plugged in to their phones, thinking "the more they strive to express their uniqueness in those machines, the more conformist they become."
Miller's language is smart and funny, which makes it easy to absorb unpalatable truths. We laugh when Irv explains that "nobody has ever overestimated the intellect of a man in cowboy boots," which is why he wears them. We like him better for having left his job using his "knowledge of Latin, Greek and Hebrew to help name pharmaceutical products," when he realized that "most of the products aren't meant to cure you but make you dependent on the treatment." That felt wrong.
Sigrid's perspective on American policing is fact-based and clear. Citing a recent article, she tells Irv, "While we don't know how many citizens are killed by the police, we do know how many cops have been killed by criminals...the overall number of murdered officers has been dropping in a nice flattening curve since the 1970s." The perceived "war on the police" is illusory; there's been nothing close to that since Prohibition in the 1920s.
This book features variable and shifting perspectives, shown mostly using Sigrid's point of view. "Why," she wonders idly as she flips through the TV channels in a motel room, "is overacting preferred in situation comedies but not in dramas?" In a more serious moment, she decides that "The heart is one of the few places where facts and truth may be separable." Shopping in Target provides a salutary reminder of privilege: the low prices make her feel "a momentary pang of guilt for the abducted and enslaved children who surely weaved the clothing with their tiny little fingers." She finds it "unsettling how quickly that feeling fades as she "holds up a pair of ...jeans being sold...for twelve dollars, the price of coffee and a muffin in Oslo." And as Sigrid tells Irv, there are no glass barriers between the front and rear seats of Norwegian cruisers; it's unheard-of for Norwegian criminals to shoot police.
She also feels that American horror movies reflect the culture: the invariably end "with someone being self-reliant and overcoming her own fear or else failing to do that and dying." Unable to think of a single movie "where the horror was overcome through strategy, cooperation, teamwork, or planning," she reflects to Irv that "the terrible machine you've created," explains "why Americans buy guns rather than build institutions," which does not make anyone safer.
The differing perspectives of the sexes comes up for some gentle ribbing too. The SWAT team scenes feature hilariously clownish portrayals of trigger-happy macho males, whose hasty and ill-considered actions incite in Sigrid a flash of anger against men, for "their stupidity, their lies, their egotism, their irrelevant words, their aggressive personalities and their hairy backs...the ease by which they open jars and their inexplicable incapacity to return even the smallest object" to its rightful location. However, knowing that she cares deeply about her brother and respects her male colleague, the reader can smile at her snit as she slogs through the forest ruining her good Italian shoes.
Strangely, just after reading this novel, I learned another piece of the American cultural puzzle from a recently published essay. For American citizens, no matter where they live, work and earn, that there is no escape from filing taxes in the US, and failure to comply can carry heavy financial penalties. Paradoxically, I was gobsmacked to learn that it costs $2350 to relinquish one's US citizenship - a costly sanction against no longer wanting to be American.
In a recent essay, Mark Manson takes the concept of paradox beyond culture into the realm of human biology. We need to maintain homeostasis, a salubrious balance between opposites. This concept, he says, also has applications in psychology, for instance, as we are obliged to seek company, then retreat into ourselves, or cycle between seeking novelty and maintaining a reassuring routine.
Humans are contradictory and paradoxical, and our behaviour is often unaccountable. Reading fiction is a good way to face the irrationality of our views and actions. The work of Derek B. Miller is enlightening and thought-provoking as well as entertaining. While he admits that as a novelist, he takes "some liberties with reality," he deserves kudos for showing us realities we all face, thus expanding our perspective on the human condition.
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