Photo by Alison Harris, from Canadian Books and Authors
Listening to the interview on CBC, I sat in the car. After tuning in partway through the program, I was trying to guess who she was. The writer was discussing her relationships with publishers, in particular The New Yorker, which placed more than a hundred of her stories.
I had a hunch that I was listening to the voice of Mavis Gallant. When she began to talk about her life in Paris, I was sure, and smiled to myself, recalling a character in one of her stories saying to his guests, "My wife is a North American," as if that explained everything.
Gallant has led an unusual life. As a child in Montreal, she went to 17 different schools, a mixture of public, boarding and convent schools, then studied in the U.S. She began her writing career in Canada, publishing for Preview beginning at age 22. Her work also appeared in Standard Magazine and Northern Review.
At age 28, determined to write fiction full-time, she moved to Paris. There, she produced a steady output of short stories and novellas, including The Other Paris (1956), My Heart is Broken (1964), The Pegnitz Junction (1973) and Stories from the Fifteenth District (1979). Two novels, Green Water, Green Sky (1959) and A Fairly Good Time (1970), appeared during the same period.
In 1981, Mavis Gallant won the Governor General's Award for Home Truths: Selected Canadian Stories. In 1983-4 she returned to Canada to serve as Writer-in-Residence at the University of Toronto. She was made an Officer of the Order of Canada in 1981, a Companion in 1993 and received the Canada-Australia Literary Prize in 1984. She was awarded the Matt Cohen Prize and the Blue Metropolis International Grand Prix.
Gallant is also a respected essayist, who has written extensively on French culture and society, as well as penning eye-witness observations on the student riots of 1968. Her essays have been collected in Paris Notebooks: Essays and Reviews (1986). Her Selected Stories (1996) was also very well received.
Age 86 in 2009, she gave an interview to Paula Todd for the Globe and Mail. For the interview, the author chose the Village Voice Bookshop in St-Germain-des-Pres, ascending the spiral staircase in spite of the osteoporosis that has bent her frame. Telling the interviewer that she came to Paris to see if she could make her living as a fiction writer, she said she didn't expect to be so successful.
As for biographers, Gallant says they'll have to wait till she's dead. They probe into the private life, rather than seeing the part where the writing comes from, another part of your brain, your system.
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